The images from Claire A. Warden's series Mimesis are visually striking and delightfully inscrutable. Like most viewers, I was immediately grabbed by them when I first saw them, but it wasn't until I talked with Claire and read her artist's statement that I really understood what she was trying to say with these pictures. Having that experience, though, really deepened my appreciation for the work. This week, Claire and I talked about her unique process and the reason why it's so important that this series exist in the context of photography. In the second segment, we discussed race and being and immigrant, and how that affects the way one's identity forms.
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Brandon Taylor is a writer and graduate student at the Iowa Writers’ Workshop. One of my favorite contemporary writers, Brandon's short stories are marvelously crafted, understated and emotionally charged, while his personal essays and cultural critique are insightful and often lyrical—all of it is just a joy to read. In today's conversation, Brandon and I talked about his work and his process, how he often finds himself inventing around the margins of the stories he takes in, and how and why he always resists the reductive take. For the second segment, Brandon chose expectation as his topic, both the excitement and terror of one's own anticipation of the future, but also the expectations others can put on us.
(Episode originally aired on April 26, 2017. Conversation recorded April 4, 2017.)
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